Showing posts with label Experiment room 實驗室. Show all posts
Showing posts with label Experiment room 實驗室. Show all posts

Friday, 2 January 2015

破裂的臺灣 A Broken Taiwan





2014年8月
我做了不少釉料的測試
打開窯燒的那一瞬間
就是這樣子
很心碎



但沒有很難過
因為知道這是過程

這只是一個學習的過程


學習接受,失敗的結果,
學習改變自己的態度,
面對失敗


面對一次又一次的失敗
是我燒的溫度太高?
是哪一個化學成分放了太多?
是哪裡出錯了?



面對破裂的陶瓷,
我心想,
如何讓這些曾經失敗的結果
保存下來?


其實破裂的陶瓷也很美,
美的讓我捨不得丟掉





破裂的東西,總是被人遺棄
因為沒有價值?
因為沒有用了?
因為沒有存在的可能性?



但我想再怎麼沒有價值的東西,
我還是想要嘗試看看,
把他們變成一件 
我喜歡的創作
於是
有了破裂的臺灣
這件作品







藉由紀錄自己破裂的陶瓷
重新找回
可能存在的可能性

正如
人生
破裂了沒有關係

哭一哭,笑一笑

就過去了


只要有耐心,一片一片補上去
總有一天

也是會很美麗










Sunday, 21 December 2014

My Raku Firing day 樂燒

I really enjoyed creating the surface incident arising from the raku process.
                                             


Before the cleaning process


                                               After the cleaning process







I love the hole in my work.
This damaged  part creates more stories in the context of my work .




I weared a face mask 
It is made in my homeland- Taiwan
How exciting to see 'Made in Taiwan' in the UK.



                                               



                                                    Rich teaches us how to look at the gas pressure





In the beginning, I felt a little bit scary to open the kiln at 1000 degrees(up),
but I soon realized that I loved the color of the kiln.
'Orange'







Putting the piece into the wood chip 


Fresh wood chips







19 Dec (Friday) 2014 



工作室小照片

陶瓷製作的過程中,充滿著許多有毒物質,
自己每次在配釉料的時候,都特別的小心,
戴著防毒面具般的口罩,手套.

每一個工作,都有職業傷害
而我自己知道
走在陶瓷創作這條路上
傷的都是內傷.
唯有學會保護自己的身體
才可以長久地走在創作這條路上





設定窯燒的燒製
也是我每天必做的事情
每天不斷地做測試,燒出自己夢想中的顏色和質感
靠著就是不斷地練習
沒有別的,也無法偷懶


每一次打開窯爐都是一個驚喜
我喜歡這種感覺


陶瓷,就是一項需要時間漫漫沈澱的手工藝
唯有一直不停的練習
做測試
努力
才可以找到適合自己的顏色和質感

:)







Thursday, 14 November 2013

29 Oct 2013 clay paintings



Here is a funny joke- '' Caution -Clearning in progress'', however the cleaner suddenly showed up and talked to me, he said'' it doesn't matter about messy floor, I can have more jobs to do''


Throughout this process, I was thinking a lot about Taiwanese aboriginal women's(Amis) clay and hands. It reminded me of my PhD research trip, the time when I was with the aboriginal helping them to  dig the clay at Fakong in Taiwan on May 2013. This tribe are living in the rural area of the east part in Taiwan. They are farmers and their husbands are fishers. They rely on their hand and foot to survive. The material world for them seems too much. '' Cash'' is quite a luxury object. Everything is made by their  physical actions.

For this reason in this art piece I decided to use Terracotta clay to represent them. I prepared three A1 size tracing papers.



See my process :
 http://www.youtube.com/watch?v=oMWlZP2BqPY&feature=youtu.be   (4:06)
Thank you  Asprey Charlotte for helping me film this process.

The music:
Taiwanese folksong :Spring Wind  (望春風 Bāng chhun-hong)
See different type of craving for the Spring Wind(Taiwanese Folk Song)
http://www.youtube.com/watch?v=dGflcdsCDTA



See some pictures of the result
I not too worry about the result,  I more interested in the process.


 The water with the clay




The hole of the space








Continue......